register

  • Categories

Vanilla 1.1.4 is a product of Lussumo. More Information: Documentation, Community Support.

 

[Closed] Now Playing - Part XXIII

General Discussions » Now Playing - Part XXIII (Posts 361 to 390 of 1061)

  1. <
  2. 1
  3. ...
  4. 9
  5. 10
  6. 11
  7. 12
  8. 13
  9. 14
  10. 15
  11. 16
  12. ...
  13. 36
  14. >
    •  
      CommentAuthorDemetris
    • CommentTimeMar 30th 2008 edited
    Why not? It's a technically perfect in all aspects fantasy score and at the same time completely unoriginal. Serves for lots of Debney's work as well, especially the disgusting John William rip-offs of Seaquest QSV and LAIR, only the latter is being praised as a 'fun and putting-a-smile-on-my-face tribute, a homage to the great ones' while the poor ol' Eshkeri's of the world are being tossed for the same thing. I wonder why is that.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorSteven
    • CommentTimeMar 30th 2008
    Because Debney can do it with infinite more style, that's why. IMO.
    •  
      CommentAuthorDemetris
    • CommentTimeMar 30th 2008 edited
    That's fair point indeed, although it all sounds the same to me and it surely doesn't a grant an excuse for praising; Anyway ..
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorDemetris
    • CommentTimeMar 30th 2008
    JAMES NEWTON HOWARD - water horse : legend of the deep

    Top stuff.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorSteven
    • CommentTimeMar 30th 2008
    'Disgusting' is a bit of a strong word there D. They're obvious and blatant, yes.... but heck, I enjoy them.

    Eshkeri's score relies mostly on clichés whereas Debney's use of Williamseqsue music isn't what I would call cliché. That's the key difference for me at least.
    •  
      CommentAuthorDemetris
    • CommentTimeMar 30th 2008 edited
    Not at all mate, when i play the first 10 (about) tracks of LAIR complete - especially the opening cue, i get shivers of disgust on how some people get away (and even praised) with exactly the same stuff others get lawsuits for; but then again, its 2nd half puts a smile on my face and i complete forget everything about it.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorMarselus
    • CommentTimeMar 30th 2008
    NP Underworld: Evolution (Marco Beltrami)
    Dark, agressive action score, with a typical Beltrami track to close the score, "The Future". punk
    Anything with an orchestra or with a choir....at some point will reach you
    •  
      CommentAuthorDemetris
    • CommentTimeMar 30th 2008
    iNDEEd. For a crap movie
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorMarselus
    • CommentTimeMar 30th 2008
    Christodoulides wrote
    iNDEEd. For a crap movie

    I didn´t watched it. But it looked like crap indeed.
    Nice Beltrami managed to write such a good score though.
    Anything with an orchestra or with a choir....at some point will reach you
    •  
      CommentAuthorLSH
    • CommentTimeMar 30th 2008
    NP: The Spitfire Grill - James Horner

    Jeez, where have I been hiding this! This has always been one of my faves but it's been so long!

    punk
    •  
      CommentAuthorDemetris
    • CommentTimeMar 30th 2008 edited
    Marselus wrote
    Christodoulides wrote
    iNDEEd. For a crap movie

    I didn´t watched it. But it looked like crap indeed.
    Nice Beltrami managed to write such a good score though.


    I know what his inspiration (right from within the movie) was:

    http://www.imageshack.gr/view.php?file= … ossa1r.jpg
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorNautilus
    • CommentTimeMar 30th 2008
    Marselus wrote
    Christodoulides wrote
    iNDEEd. For a crap movie

    I didn´t watched it. But it looked like crap indeed.
    Nice Beltrami managed to write such a good score though.


    I ejoyed far more the movie than the score.

    Anyway, "william's castle" and "the future" are pretty good tracks.
    •  
      CommentAuthorMarselus
    • CommentTimeMar 30th 2008
    Christodoulides wrote
    Marselus wrote
    Christodoulides wrote
    iNDEEd. For a crap movie

    I didn´t watched it. But it looked like crap indeed.
    Nice Beltrami managed to write such a good score though.


    I know what his inspiration (right from within the movie) was:

    http://www.imageshack.gr/view.php?file= … ossa1r.jpg

    Haha, damn now I understand....that´s a good source of inspiration lick lick
    Anything with an orchestra or with a choir....at some point will reach you
    •  
      CommentAuthorSteven
    • CommentTimeMar 30th 2008
    Christodoulides wrote
    Not at all mate, when i play the first 10 (about) tracks of LAIR complete - especially the opening cue, i get shivers of disgust on how some people get away (and even praised) with exactly the same stuff others get lawsuits for; but then again, its 2nd half puts a smile on my face and i complete forget everything about it.


    Then Greeks must have a rather different view on what 'disgusting' is, because here it would certainly be too strong a word for describing music.
    •  
      CommentAuthorDemetris
    • CommentTimeMar 30th 2008 edited
    Extra-Large asses are disgusting.
    Love Maintitles. It's full of Wanders.
    •  
      CommentAuthorSteven
    • CommentTimeMar 30th 2008
    Skinny ones are almost as bad.
    •  
      CommentAuthorMarselus
    • CommentTimeMar 30th 2008 edited
    Nautilus wrote
    Marselus wrote
    Christodoulides wrote
    iNDEEd. For a crap movie

    I didn´t watched it. But it looked like crap indeed.
    Nice Beltrami managed to write such a good score though.


    I ejoyed far more the movie than the score.

    Anyway, "william's castle" and "the future" are pretty good tracks.

    Wow, I had this score highly underrated. Enjoying it from track one ´til the last. Very close, if not beter, to Beltrami´s own Terminator 3.
    Anything with an orchestra or with a choir....at some point will reach you
    •  
      CommentAuthorBobdH
    • CommentTimeMar 30th 2008 edited
    NP: UNDER SUSPICION - BT

    Great score, with a very good pianotheme. Probably the best score he'll ever compose tongue (and it doesn't even have a release confused ).
    •  
      CommentAuthorNautilus
    • CommentTimeMar 30th 2008 edited
    Christodoulides wrote
    Not at all mate, when i play the first 10 (about) tracks of LAIR complete - especially the opening cue, i get shivers of disgust on how some people get away (and even praised) with exactly the same stuff others get lawsuits for; but then again, its 2nd half puts a smile on my face and i complete forget everything about it.


    Debney has not a strong voice. And this it's, at the same time, his voice. Ironic.

    Cuthroad Island = David Arnold (Yes, Erik, Yes...)

    Passion of Christ = Gabriel + Zimer

    DragonFly = Newon Howard

    LAir = John Williams

    Little Chiken = Powell

    ...

    Anyway, Few composers has 3 scores in my top 10.

    NP:Lair

    It is getting an official and "physical" realease?

    I want the complete in an officia realease, ala Empire Strikes back (No jokes , please)
    •  
      CommentAuthorBobdH
    • CommentTimeMar 30th 2008
    Nautilus wrote
    Passion of Christ = Gabriel + Zimmer


    I beg your pardon? confused
    •  
      CommentAuthorNautilus
    • CommentTimeMar 30th 2008
    BobdH wrote
    Nautilus wrote
    Passion of Christ = Gabriel + Zimmer


    I beg your pardon? confused


    Mate, The Last temptation of Christ aside, The Passion of Christ is highly influenced for BHD and Zimmer Rymths.

    ....."Resurrection" is the most MV cue I ever heard since Mancina Left Media Ventures tongue

    And for my taste, too out of place for a movie like this.
    •  
      CommentAuthorMarselus
    • CommentTimeMar 30th 2008
    Christodoulides wrote
    Debney has not a strong voice. And this it's, at the same time, his voice. Ironic.

    Ok, the "Jordi Quote" of the week. rolleyes cool
    Anything with an orchestra or with a choir....at some point will reach you
    •  
      CommentAuthorErik Woods
    • CommentTimeMar 30th 2008
    Nautilus wrote
    Cuthroad Island = David Arnold (Yes, Erik, Yes...)


    Get over this... no it's NOT!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorNautilus
    • CommentTimeMar 30th 2008 edited
    Erik Woods wrote
    Nautilus wrote
    Cuthroad Island = David Arnold (Yes, Erik, Yes...)


    Get over this... no it's NOT!

    -Erik-


    a) Arnold was hired for his splendid score for Stargate...So it's not so supid think When he was fired (becaue Harlin didn't like the theme)the filmakers wanted the same sound with a better theme. that's what Debney did.

    b) it's a very objective fact , the orchestrations, Specially the use of metals are very reminiscent to Arnold's Work. It's so objectve that even me, in the contrary side, could give me the reason.
    • CommentAuthorAnthony
    • CommentTimeMar 30th 2008
    Erik Woods wrote
    Nautilus wrote
    Cuthroad Island = David Arnold (Yes, Erik, Yes...)


    Get over this... no it's NOT!

    -Erik-


    Sounds more like JHN if you're asking us to compare it with something. dizzy
    •  
      CommentAuthorErik Woods
    • CommentTimeMar 30th 2008
    Nautilus wrote
    Erik Woods wrote
    Nautilus wrote
    Cuthroad Island = David Arnold (Yes, Erik, Yes...)


    Get over this... no it's NOT!

    -Erik-


    a) Arnold was hired for his splendid score for Stargate...So it's not so supid think When he was fired (becaue Harlin didn't like the theme)the filmakers wanted the same sound with a better theme. that's what Debney did.

    b) it's a very objective fact , the orchestrations, Specially the use of metals are very reminiscent to Arnold's Work. It's so objectve that even me, in the contrary side, could give me the reason.


    One big... WHATEVER!!!!

    All hearsay!

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    •  
      CommentAuthorStavroula
    • CommentTimeMar 30th 2008
    Excuse me!May I ask a question?I've been reading the topic and the dialogue between Demetris and Steven and I didn't get one thing...what do asses have to do with inspiration and music?!? confused
    Boys...!!!!
    Whatever you gaze rests on,do not use your vision, but the eyes of your soul...She knows better...
    •  
      CommentAuthorBregt
    • CommentTimeMar 30th 2008
    Yeah, explain me Demetris and Steven.

    What the hell do asses have to do with inspiration? biggrin confused biggrin


    wink
    Kazoo
    •  
      CommentAuthorLSH
    • CommentTimeMar 30th 2008 edited
    NP: Josh And S.A.M. - Thomas Newman

    A great score which showcases Newman's unique musical style brilliantly, from the quirky and percussive to the downright gorgeous. A real 'feel-good' listen.

    punk
    • CommentAuthorMatt C
    • CommentTimeMar 30th 2008
    Steven wrote
    No he wouldn't. Not by me at least, it still would have been the same crap.


    Not again...
    http://unsungfilmscores.blogspot.com/ -- My film/TV/game score review blog

361 to 390 of 1061

  1. <
  2. 1
  3. ...
  4. 9
  5. 10
  6. 11
  7. 12
  8. 13
  9. 14
  10. 15
  11. 16
  12. ...
  13. 36
  14. >