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General Discussions » Upcoming CDs (Posts 1411 to 1440 of 3205)

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  1. "endangered" releases over at Kritzerland:

    haineshisway:
    We will probably sell out the following titles by the weekend:

    Cuba
    The Pride and the Passion/Kings Go Forth
    Strategic Air Command
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  2. Goldsmith overdose coming; posted today over at Intrada's message board:

    Roger:
    And we'll be knocking out another 5 or 6 Goldsmith titles in the next few weeks. Some revisits, so premieres. Turned into a very Goldsmith heavy season for some reason.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorThor
    • CommentTimeFeb 24th 2013
    The question is -- how many of them will be expansions of perfectly fine soundtracks, and not premiere releases of unreleased stuff? My guess is 100% the first.
    I am extremely serious.
    •  
      CommentAuthorfrancis
    • CommentTimeFeb 24th 2013
    Fingers crossed for Reincarnation of Peter Proud!
  5. The final FSM release has it's estimate, though not set in stone, release date pushed back from late February, to:

    SAE:
    Looking like by mid March maybe. I believe everything is now signed off so just pressing plant stuff, which may be happening now. But don't quote me on that.


    It's just such a shame. Every time I have to remember: there will be no more FSM releases. But alas, Lukas has to do what he wants to do. One day we may be facing the same thing from MV Gerhard, or Roger Feigelson.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  6. I think that it is inevitable that speciality labels that specialise in older releases will find it more and more difficult to survive. IMO, even now labels are struggling to find many titles that are sought after by more than a few individuals - I think that a lot of the "SOLD OUT" titles tend to sell out because they are limited edition.

    I may have argued myself that these labels will survive because of peoples' need to buy CDs not because they want the music but because they don't want to be without the music: which is slightly different.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
  7. DISCONTINUATIN ALERT

    March 11th, Intrada will discontinue:

    "Explorers" (Jerry Goldsmith)
    http://store.intrada.com/s.nl/it.A/id.7064/.f


    "Posse" / "The Last Tycoon" (Maurice Jarre)
    http://store.intrada.com/s.nl/it.A/id.7791/.f
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
    •  
      CommentAuthorThor
    • CommentTimeFeb 26th 2013
    FalkirkBairn wrote
    I think that it is inevitable that speciality labels that specialise in older releases will find it more and more difficult to survive. IMO, even now labels are struggling to find many titles that are sought after by more than a few individuals - I think that a lot of the "SOLD OUT" titles tend to sell out because they are limited edition.

    I may have argued myself that these labels will survive because of peoples' need to buy CDs not because they want the music but because they don't want to be without the music: which is slightly different.


    I think it's fine that it folds, even though I'm not sure which other company should take up the legacy of releasing the remaining unreleased Williams items from the 50's and 60's. That's my main concern. FSM was kind of the ideal venue for that.

    However, BY GOD how long they've taken to get that last thing out. What's it been now...like 2 years?! Just get it out already and close the chapter.
    I am extremely serious.
  9. Two years. Is it that long?
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    •  
      CommentAuthorThor
    • CommentTimeFeb 26th 2013
    FalkirkBairn wrote
    Two years. Is it that long?


    I don't know. It feels like it.
    I am extremely serious.
  11. Thor wrote
    FalkirkBairn wrote
    Two years. Is it that long?


    I don't know. It feels like it.


    Lukas Kendall anounced the end of of the FSM CD lable on September, 12 2011. He then astimated CD no 250 to be released in spring 2012.
    The last CD, King Kong DE (249) was relased October 2012. According to SAE No 250 is in physical production.

    Volker
    Bach's music is vibrant and inspired.
  12. Update from Music Box Records on their last batch:

    In stock at www.musicbox-records.com/en/

    THE OUTSIDERS (MBR-024) Composed by Carmine Coppola
    The Limited 30th Anniversary Collector's Edition of 1000 copies.
    LESS THAN 100 COPIES REMAINING

    NAPOLÉON ET L'EUROPE (MBR-023) Composed by Wojciech Kilar
    Limited Edition of 500 copies.
    LESS THAN 90 COPIES REMAINING
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  13. Posted today at FSM by Ray Faiola (Chelsea Rialto Studios) in response to a guess about the titles from Intrada possibly being "Those Calloways":

    Neither YOUNGBLOODE or SLADE survive in mag. As for THOSE CALLOWAYS, I guess nobody has noticed the geese flying over at CR Studios!!


    Scroll to the bottom of the page and see the faux "flying" geese for the MP3:
    http://chelsearialtostudios.com/


    This is certainly a surprise, because the film is a Disney film, and a few months ago LLLR has stated that's Intrada territory; could this mean other labels are startign to get access to Disney? Tiem will tell!
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  14. The next Quartet Records batch should consist of:

    "Harem" (Philip Sarde)

    and the much delayed "Sunflower" (Mancini)
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  15. New from Varese:

    PATRICK DOYLE
    Impressions Of America


    2013 certainly seems set to be a year of exciting celebrations! We are so excited to announce our latest release by one of film music’s greatest and most successful composers ... the great Patrick Doyle!

    Doyle’s film scores include such blockbusters as Brave, Harry Potter and The Goblet Of Fire, Rise of the Planet of the Apes, Thor, Bridget Jones’s Diary, Henry V and so many others! Doyle is a Scotsman who has been coming to America for many years now to bring his incredible music to Hollywood. These many trips have now inspired their own musical work and Doyle has composed a symphonic piece consisting of fifteen impressions. Patrick Doyle’s IMPRESSIONS OF AMERICA is a nostalgic look at America ... its landscapes, its traditions, and its people.

    Scored for full symphony orchestra, we release Patrick Doyle’s IMPRESSIONS OF AMERICA to celebrate the composer’s 60th birthday in April of 2013.

    1. Washington DC
    2. Pumpkin Pie
    3. Christmas In New York
    4. Transcontinental Railroad
    5. The Great Depression
    6. Mount Rushmore
    7. Prairie Sunrise
    8. Winter In Alaska
    9. Decaying City
    10. Yosemite
    11. Death Valley
    12. Rushing Rapids
    13. The Great Plains
    14. Old Glory
    15. Thanksgiving

    Varese Sarabande Catalog # 302 067 194 2
    Release Date: 04/16/13


    http://www.varesesarabande.com/servlet/ … -Of/Detail


    I'm guessing this must be the project he recorded about two or so years ago that I saw titled "Americana"; I had assumed it was an earlier score to the film by the same name coming out soon (scored by Gabriel Yared) and that the score had simply been rejected. Guess not.
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  16. Next up from Kritzerland is:

    "How Green Was My Valley" (Alfred Newman)

    And all I can say is How Green Was My Valley, which has been long gone and is much improved in the sound department (save for the sung main title, which unfortunately couldn't be helped much) and has the few little things that weren't included on the Arista release, is one of Newman's most beautiful creations. The film is a marvel and so is its score, and so is John Morris' score for the musical version. How much fun is it to release both together? FUN!
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  17. And FSM No 250 is ...

    The Wild Bunch by Jerry Fielding

    Quite a departure!

    Cheers!
    Volker

    http://www.screenarchives.com/title_det … UNCH-3-CD/
    Bach's music is vibrant and inspired.
  18. Captain Future wrote
    And FSM No 250 is ...

    The Wild Bunch by Jerry Fielding

    Quite a departure!

    Cheers!
    Volker

    http://www.screenarchives.com/title_det … UNCH-3-CD/

    A bit of a disappointment this one - from someone who has the Warner Video CD of Fielding's score already and finds that this is more than enough of a sampling of this score.

    I think that Looking at FSM's first and last release sort of encapsulates this genre as a whole: their first release in any form - was it Shire's The Taking of Pelham 1-2-3? - was a premier release of an iconic score. And here we have their final release; a "bells-and-whistles" release of a previously-released title (which they sold), with remastered sound, coupled with the (previously released) soundtrack album plus a whole slew of alternates.

    Definitely more of a fizzling out of a great label rather than going out with a "wow!" title.

    As I say, I already have this on CD so I may be poo-pooing it because I have this already. It's definitely one for the film scoring devotee rather than a general interest title, IMO.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    •  
      CommentAuthorErik Woods
    • CommentTimeMar 11th 2013
    Here's the thing, Alan, FSM 250 was in the works years ago before they decided to end the label.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
  20. Erik Woods wrote
    Here's the thing, Alan, FSM 250 was in the works years ago before they decided to end the label.

    -Erik-

    So it may not have been their own preferred choice as their final release? If that's the case, then it's a bit of a shame.

    I wonder how many others were "in development" that won't now be released by FSM? Hopefully, all that work won't be wasted but will get carried over by Lukas - or whoever - to associated labels.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn
    •  
      CommentAuthorErik Woods
    • CommentTimeMar 11th 2013
    Well, Lukas isn't done producing CD's... he's just done running his own label.

    -Erik-
    host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS!
    • CommentAuthorTimmer
    • CommentTimeMar 11th 2013 edited
    The Wild Bunch? I won't be getting it.

    I'm sure all the good work will continue one way or another, still, it's a sad end of an incredible era of film score releases with the demise of the FSM label.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
    •  
      CommentAuthorThor
    • CommentTimeMar 11th 2013
    Timmer wrote
    The Wild Bunch? I won't be getting it.

    I'm sure all the good work will continue one way or another, still, it's a sad end of an incredible era of film score releases with the demise of the FSM label.


    Strange choice for a final release, since it already has had many good soundtracks.

    I currently don't have ANY incarnation of THE WILD BUNCH, but if I'm going to get it, it would be an earlier, less comprehensive version. Maybe the one that was released with the DVD awhile back. The one with the best possible listening experience, at the very least.
    I am extremely serious.
    • CommentAuthorTimmer
    • CommentTimeMar 11th 2013
    Thor wrote
    Timmer wrote
    The Wild Bunch? I won't be getting it.

    I'm sure all the good work will continue one way or another, still, it's a sad end of an incredible era of film score releases with the demise of the FSM label.


    Strange choice for a final release, since it already has had many good soundtracks.

    I currently don't have ANY incarnation of THE WILD BUNCH, but if I'm going to get it, it would be an earlier, less comprehensive version. Maybe the one that was released with the DVD awhile back. The one with the best possible listening experience, at the very least.


    Really!??? Well blow me down with a feather.
    On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt
  25. Well, it is a classic score and I am sure many collectors will be thrilled. I myself - I checked out the main theme again that I have on some sampler of re-recordings and I was not that impressed. So I'll probably pass on this one.
    Bach's music is vibrant and inspired.
    •  
      CommentAuthorfrancis
    • CommentTimeMar 11th 2013
    I think it's a fitting last title for FSM. Yes, it's not the 'big grail' everyone was expecting, but if you think about it, FSM was always about the underrated titles and composers and seldom sparked big response (the low quantity alert is proof of that). Lukas has done so much better teaming up with La-La Land I'm glad he gets to continue his work. I'm sure the grails people wanted the FSM label to do will still follow with the La-La stamp on it.
    •  
      CommentAuthorThor
    • CommentTimeMar 11th 2013
    francis wrote
    I think it's a fitting last title for FSM. Yes, it's not the 'big grail' everyone was expecting, but if you think about it, FSM was always about the underrated titles and composers and seldom sparked big response (the low quantity alert is proof of that). Lukas has done so much better teaming up with La-La Land I'm glad he gets to continue his work. I'm sure the grails people wanted the FSM label to do will still follow with the La-La stamp on it.


    I doubt LaLaLand will do any of the remaining Williams scores from the 50's and 60's, in particular. FSM was kinda the only niche label that did that. But I still hope.
    I am extremely serious.
    •  
      CommentAuthorSouthall
    • CommentTimeMar 12th 2013
    francis wrote
    I think it's a fitting last title for FSM. Yes, it's not the 'big grail' everyone was expecting, but if you think about it, FSM was always about the underrated titles and composers and seldom sparked big response (the low quantity alert is proof of that). Lukas has done so much better teaming up with La-La Land I'm glad he gets to continue his work. I'm sure the grails people wanted the FSM label to do will still follow with the La-La stamp on it.


    It's a "big grail" for me because I missed out on the previous limited release of it and I think it's a fantastic score. In fact I've never even bought the old shorter album because I always assumed a further release would be on the way at some point.
    http://www.movie-wave.net | http://facebook.com/moviewave
  29. DISCONTINUATION ALERT

    Available Until March 25 2013 Or While Supplies Last!

    Bound for Glory (Woody Guthrie & Leonard Rosenman)
    http://store.intrada.com/s.nl/it.A/id.7790/.f

    Glory & Honor (Bruce Broughton)
    http://store.intrada.com/s.nl/it.A/id.6710/.f
    The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else.
  30. francis wrote
    I think it's a fitting last title for FSM. Yes, it's not the 'big grail' everyone was expecting, but if you think about it, FSM was always about the underrated titles and composers and seldom sparked big response...

    I disagree with this. FSM became a label that released "underrated titles and composers" in the latter years. When they first started it was significant release after significant release. In recent years it seemed to me that their pot from which they could choose their titles was becoming severely limited - as if they had used up all their big titles.
    The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn

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