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- CommentTimeMar 5th 2018
Doing a little Dino der Laurentiis Matinee here:
King Kong (1976) - John Barry (album version)
Flash Gordon (1980) - Queen
DUNE (1984) - Toto / Eno (album version)Bach's music is vibrant and inspired. -
- CommentTimeMar 6th 2018
NP: DIVE: Starpath - Nick Borrego
Interesting game soundtrack featuring synth ambiance and more propulsive rhythms mixed with more organic sounds (relatively speaking) such as electric guitar. I can imagine myself flying through space in my spaceship.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentTimeMar 6th 2018
NP: The Alienist - Rupert Gregson-Williams
I like the sound of this and some of the instrumentation choices and soundscapes are very memorable. But I am struggling to feel much from it. Definitely a conflicting score.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentTimeMar 6th 2018
NP: The Mercy - Jóhann Jóhannsson
Not really doing much for me on an album, though there is the occasional track that stands out. It sounds as though it would work better on screen with the composer's music being a support to the on-screen goings on rather than driving the story forward.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentTimeMar 6th 2018
OUTLANDER SEASON 3 - Bear McCreary
Of all the TV music McCreary has done, this is probably my favorite series. Good stuff. -
- CommentTimeMar 7th 2018
NP: The Shape of Water (2017) - Alexandre Desplat
Outstanding. Lots of French sensibilities, subtle instrumentation and superb musical story telling.
VolkerBach's music is vibrant and inspired. -
- CommentTimeMar 7th 2018
NP: Justice League (2017) - Denny Elfman
Elfman in full throttle super hero mode. What a treat!Bach's music is vibrant and inspired. -
- CommentTimeMar 7th 2018
You've just listened to two amazingly disappointing scores in a row.I am extremely serious. -
- CommentTimeMar 7th 2018
I agree with Thor. Cats and dogs, living together!The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentAuthorEdmund Meinerts
- CommentTimeMar 7th 2018
You're both legendarily contrarian though. So perhaps less of a surprise. -
- CommentAuthorEdmund Meinerts
- CommentTimeMar 8th 2018
Everyone saying that those three long tracks in Red Sparrow would make a great album seem to be overlooking the fact that the "Overture" and "End Titles" are about 90% identical, it would seem? -
- CommentTimeMar 8th 2018
NP: NOSTALGIA (Laurent Eyquem)
I've been waiting for the brilliant Eyquem of WINNIE MANDELA and COPPERHEAD to return, and this -- while sounding nothing at all like them -- is certainly it. Wonderful score.I am extremely serious. -
- CommentTimeMar 8th 2018
NP: TOMB RAIDER (Junkie XL)
Very disappointing.I am extremely serious. -
- CommentTimeMar 8th 2018
NP: Tomb Raider (2001) - Graeme Revell
For whatever reason I never listened to that score. It doesn't seem too bad. Nothing extraordinary though.
VolkerBach's music is vibrant and inspired. -
- CommentTimeMar 8th 2018
Captain Future wrote
NP: Tomb Raider (2001) - Graeme Revell
For whatever reason I never listened to that score. It doesn't seem too bad. Nothing extraordinary though.
Volker
It's OK. Certainly better than the new one -- and I say that as a longtime JXL defender and fan.I am extremely serious. -
- CommentTimeMar 8th 2018
Thor wrote
NP: TOMB RAIDER (Junkie XL)
Very disappointing.
Christ. If you of all people are saying that... -
- CommentTimeMar 8th 2018
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- CommentTimeMar 8th 2018 edited
Thor wrote
NP: TOMB RAIDER (Junkie XL)
Very disappointing.
I wasn’t expecting anything more than fun, and was hoping for it to be in the same range as 300: Rise of an Empire. What did you think of that one, and how does it compare? -
- CommentTimeMar 8th 2018
BobdH wrote
Thor wrote
NP: TOMB RAIDER (Junkie XL)
Very disappointing.
I wasn’t expecting anything more than fun, and was hoping for it to be in the same range as 300: Rise of an Empire. What did you think of that one, and how does it compare?
300 is much, much better. TOMB RAIDER had one or two decent tracks (the calm ones), the rest is just noise with basically NO dynamic range.I am extremely serious. -
- CommentTimeMar 8th 2018
Southall wrote
Sleepers JW
Not disappointing.
You can say that again!I am extremely serious. -
- CommentTimeMar 8th 2018
Thor wrote
BobdH wrote
Thor wrote
NP: TOMB RAIDER (Junkie XL)
Very disappointing.
I wasn’t expecting anything more than fun, and was hoping for it to be in the same range as 300: Rise of an Empire. What did you think of that one, and how does it compare?
300 is much, much better. TOMB RAIDER had one or two decent tracks (the calm ones), the rest is just noise with basically NO dynamic range.
Damn.
Ok, that’s settled then, I will now listen to Greenwood’s latest first. -
- CommentTimeMar 8th 2018
Of course, it would make sense if the only JXL score I dislike in YEARS is the one people here like. :DI am extremely serious. -
- CommentTimeMar 8th 2018
Oh don’t worry, the only person over here likely to enjoy it is me. -
- CommentTimeMar 8th 2018
Guess I have to hope for ALITA: BATTLE ANGEL instead. It's almost been a tradition with at least one JXL score on my Top 10 each year.I am extremely serious. -
- CommentTimeMar 8th 2018 edited
NP: FIFTY SHADES FREED (Danny Elfman)
Unremarkable -- like the two previous scores (except for David Buckley's gorgeous "Bliss" cue from the first one).I am extremely serious. -
- CommentAuthorEdmund Meinerts
- CommentTimeMar 8th 2018
Thor wrote
BobdH wrote
Thor wrote
NP: TOMB RAIDER (Junkie XL)
Very disappointing.
I wasn’t expecting anything more than fun, and was hoping for it to be in the same range as 300: Rise of an Empire. What did you think of that one, and how does it compare?
300 is much, much better. TOMB RAIDER had one or two decent tracks (the calm ones), the rest is just noise with basically NO dynamic range.
Because his other scores had so much dynamic range? Pretty sure Mad Max's waveform is a big rectangle. -
- CommentTimeMar 8th 2018 edited
Quite the contrary, there's a lot of things going on even in the more massive MAD MAX tracks -- like that recurrent descending line. It has a forward momentum that TOMB RAIDER lacks, a heavy metal philosophy. It also lacks MAD MAX's sheer ingenuity. There's doing loudness as a philosophy, and as a poor consequence.I am extremely serious. -
- CommentTimeMar 9th 2018
NP: ATLANTIS (Eric Serra)
Gorgeous. My favourite of his.I am extremely serious. -
- CommentTimeMar 9th 2018 edited
A Wrinkle in Time - Ramin Djawadi
It is incredibly bland and laden with cliches. There isn't anything really of true interest. Not even as a mood score is it good. The new-ageish parts of the score just aren't compelling.
Pacific Rim is probably Djawadi's best work I think (aside from Game of Thrones's highlights - I also liked Warcraft's peaks, particularly the cue Honor which is wonderfully moody), but it is still not very good and still filled with cliches.
I am sure Jason Moran would have supplied something much more imaginative and better had he gotten the gig.
Rating: 1.5 stars out of 5.
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Tomb Raider - Tom Holkenborg
Dreadful. The weakest score of the year together with Ludwig Göransson's Death Wish.
Rating: 1 star out of 5. -
- CommentTimeMar 9th 2018 edited
NP: DRYADS - GIRLS DON'T CRY (Marius Christiansen)
One of my favourite Norwegian scores in 2015 -- both songs and score. Sadly unreleased.I am extremely serious.