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- CommentTimeMar 24th 2009 edited
Nautilus wrote
NP:Spirited Away
Tender, powerful, Imaginative and rich.
The oriental orchestrations for the Japanesse temple of Gods gaves color to this score.
"rotten God" with the shiihiro's theme played triumphaly is brilliant!
My favourite from this composer (being heard only a couple of them)
She is CHIHIRO And I don't think there is "Chihiro's Theme". Hisaishi once said that he didin't want to score films in "Hollywood/Disney way", that is, writing a theme for every character and playing it on every time the character appears on the screen. He hadn't used this method for Miyazaki films, until Ponyo On The Cliff... in that score, each characters have their own themes, and this method fit the film brilliantly, I think.
Anyway, I agree with you about the score. Rich and colourful!
NP: Spirited Away
I'm also inspiredLabels are for cans, not people. - Anthony Rapp -
- CommentTimeMar 24th 2009
NP: Henry May Long - Max Richter
This is such a beautiful piece of music. Composed for a small ensemble (including strings, piano and what sounds like glass harmonica), it's sad, touching but at the same time quite uplifting!
Anyone interested can find clips at Amazon, eMusic, iTunes, etc and the movie site has some extended audio clips playing over the intro page: http://www.henrymaylong.com/The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentTimeMar 24th 2009
Erik Woods wrote
Inspired by Jordi... yeah, I know.
NP: Spirited Away - Joe Hisaishi
I haven't played this since it first came out. Lovely, lyrical score containing patented piano music from Hisaishi. Superb stuff. I was never a fan of the films. Too wacky for my tastes. Thank God the scores are much more coherent.
-Erik-
Have you seen any pre-Mononoke Miyazaki films? Nausica Of The Valley Of Wind, Laputa: Castle In The Sky, My Neighbor Totoro, Kiki's Delivery Service... and Porco Rosso. They're all great in terms of storytelling, but filled with imagination as well.
These days Miyazaki tends to put his huge imagination into a film randomly and make the plot unclear and too wacky... I enjoyed them, but still prefer the times when he wrote good stories.
Anyway Princess Mononoke is the best Miyazaki film ever, in my opinion.Labels are for cans, not people. - Anthony Rapp -
- CommentTimeMar 24th 2009
Southall wrote
Erik Woods wrote
Southall wrote
If you want restraint from a film score, don't watch a Brian de Palma film!
I don't think I was looking for restraint... I was just looking and listening for something that complimented the visuals. I had the same issue with the "Where?" track from Mission To Mars. On its own... superb... in the film... hokey!
-Erik-
I think there's something about De Palma's singular flair that means that what in many films would seem like over-done music, just seems to sit well for me. Nothing about his films is "realistic", it's cinematic exuberance at its best, right down to the music, whether it's The Untouchables or Mission to Mars, Obsession or Body Double, The Fury or Snake Eyes. I love it!
Or The Black Dahlia, one of my favourites from any film. -
- CommentTimeMar 24th 2009 edited
Timmer wrote
Miya wrote
INP: Still playing Watership Down.
Now it's Bright Eyes movie version... beautiful arrangement and interlude. I love the song itself! Briiiiiiight Eyeeeeees
Morley's score is incredible, one of the greatest abnimation scores ever IMO.
I can't say it's the best animation score (for an obvious reason ). But anyway it's a great score, I agree. I especially love the main theme by Williamson, but Morley's arrangement of it and her themes are also great.
I also love Kehaar's Theme! 'e plenty good fella, YAH!
NP: Watership DownLabels are for cans, not people. - Anthony Rapp -
- CommentAuthorfranz_conrad
- CommentTimeMar 24th 2009
NP: Little Buddha (Sakamoto)
Just listening to the end title suite, which really cuts to the core of me. Heavy, dramatic, powerful music.A butterfly thinks therefore I am -
- CommentAuthorTimmer
- CommentTimeMar 24th 2009
franz_conrad wrote
NP: Little Buddha (Sakamoto)
Just listening to the end title suite, which really cuts to the core of me. Heavy, dramatic, powerful music.
Easily my favourite Asiatic score, just gorgeous.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorTimmer
- CommentTimeMar 24th 2009
Southall wrote
Timmer wrote
NP : HOFFA - David Newman
This is the cheapest score I ever bought brand new ( £1 ), there was a pile of them in a cheap clearence shop
I bought it for a similar price... wonder if it was the same shop!?
It was in that store opposite House of Fraser ( though I think it was still John Lewis then ) in the centre, y'know the one? Sells lots of cheap stuff like games and books which you can buy for people you don't like!?On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 24th 2009
NP: Indy box - John Williams
I love every moment of this set. These scores are classic! -
- CommentTimeMar 24th 2009
Timmer wrote
franz_conrad wrote
NP: Little Buddha (Sakamoto)
Just listening to the end title suite, which really cuts to the core of me. Heavy, dramatic, powerful music.
Easily my favourite Asiatic score, just gorgeous.
Couldn't agree more. Sakamoto hasn't given us lots of scores, comparably, but what he HAS given us is mostly notably beautiful. Little Buddha and Sheltering Sky are true gems in the categoryLove Maintitles. It's full of Wanders. -
- CommentTimeMar 24th 2009
Christodoulides wrote
Timmer wrote
franz_conrad wrote
NP: Little Buddha (Sakamoto)
Just listening to the end title suite, which really cuts to the core of me. Heavy, dramatic, powerful music.
Easily my favourite Asiatic score, just gorgeous.
Couldn't agree more. Sakamoto hasn't given us lots of scores, comparably, but what he HAS given us is mostly notably beautiful. Little Buddha and Sheltering Sky are true gems in the category
And also The Last Emperor - one of the first scores that I had bought and still listen to it frequently. -
- CommentTimeMar 24th 2009
Timmer wrote
Southall wrote
Timmer wrote
NP : HOFFA - David Newman
This is the cheapest score I ever bought brand new ( £1 ), there was a pile of them in a cheap clearence shop
I bought it for a similar price... wonder if it was the same shop!?
It was in that store opposite House of Fraser ( though I think it was still John Lewis then ) in the centre, y'know the one? Sells lots of cheap stuff like games and books which you can buy for people you don't like!?
I know where you mean. Can't quite remember where I bought it. It was in Bristol and it was cheap and it was a long time ago - can't remember precisely where. -
- CommentTimeMar 24th 2009
Steven wrote
Southall wrote
Erik Woods wrote
Southall wrote
If you want restraint from a film score, don't watch a Brian de Palma film!
I don't think I was looking for restraint... I was just looking and listening for something that complimented the visuals. I had the same issue with the "Where?" track from Mission To Mars. On its own... superb... in the film... hokey!
-Erik-
I think there's something about De Palma's singular flair that means that what in many films would seem like over-done music, just seems to sit well for me. Nothing about his films is "realistic", it's cinematic exuberance at its best, right down to the music, whether it's The Untouchables or Mission to Mars, Obsession or Body Double, The Fury or Snake Eyes. I love it!
Or The Black Dahlia, one of my favourites from any film.
Still haven't seen that... but want to. -
- CommentTimeMar 24th 2009
keky wrote
Christodoulides wrote
Timmer wrote
franz_conrad wrote
NP: Little Buddha (Sakamoto)
Just listening to the end title suite, which really cuts to the core of me. Heavy, dramatic, powerful music.
Easily my favourite Asiatic score, just gorgeous.
Couldn't agree more. Sakamoto hasn't given us lots of scores, comparably, but what he HAS given us is mostly notably beautiful. Little Buddha and Sheltering Sky are true gems in the category
And also The Last Emperor - one of the first scores that I had bought and still listen to it frequently.
Indeed!Love Maintitles. It's full of Wanders. -
- CommentTimeMar 24th 2009
Silent Hunter 4: Wolves of the Pacific (Rod Abernethy & Jason Graves)
A Media Ventures / Remote Control style videogame score with a surprising amount of themes and rhythm. This is one of the more listenable game soundtracks, sort of a cross between the tension felt in Crimson Tide and the thematic coolness of Transformers. So it's far from original but I'm not afraid to give un-originality a chance from time to time."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentAuthorTimmer
- CommentTimeMar 24th 2009
Southall wrote
Steven wrote
Southall wrote
Erik Woods wrote
Southall wrote
If you want restraint from a film score, don't watch a Brian de Palma film!
I don't think I was looking for restraint... I was just looking and listening for something that complimented the visuals. I had the same issue with the "Where?" track from Mission To Mars. On its own... superb... in the film... hokey!
-Erik-
I think there's something about De Palma's singular flair that means that what in many films would seem like over-done music, just seems to sit well for me. Nothing about his films is "realistic", it's cinematic exuberance at its best, right down to the music, whether it's The Untouchables or Mission to Mars, Obsession or Body Double, The Fury or Snake Eyes. I love it!
Or The Black Dahlia, one of my favourites from any film.
Still haven't seen that... but want to.
Be interesting to hear what you think of The Black Dahlia? Personally I thought it was an incoherant mess and even worse......boring.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 24th 2009 edited
NP: Outlander - Goeff Zanelli
I think this score is less derivatize than Zanelli's last outing, Hitman. One of the themes is suspiciously similar to his Tia Dalma theme for Pirates (EDIT: actually I think its the Cannibal Island motif), but besides that, nothing jumps out at me as being a direct rip-off like Hitman was basically a less interesting re-arrangement of the Bourne scores.
As others have mentioned, there is a ridiculous amount of reverb mixed into this recording...a bit over the top, I think...this thing would sound a whole lot better if it was more straight orchestra.
Also, while several people have commented on this score, I have this odd suspicion that I am the only MT member that actually owns this physically on CD...I love you all. Never change. Well, unless you want to! -
- CommentTimeMar 24th 2009
Scribe wrote
I have this odd suspicion that I am the only MT member that actually owns this physically on CD...
Odd that, indeed.
Have you spoken to someone about these obviously paranoid delusions?
'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeMar 24th 2009
NP: Race to Witch Mountain
Not what I was expecting, this is standard Rabin and that's a dissapointment coming from a man who grew so good the last couple of years.waaaaaahhhhhhhh!!! Where's my nut? arrrghhhhhhh -
- CommentTimeMar 24th 2009 edited
NP : Space: 1999 Year Two - Derek Wadsworth (2 CDs - Fanderson release)
Derek's score is more electronically then Barry Gray's excellent work for year 1 .
But there's much to love in Derek's score . Lots of action cues mixed with some
very beautiful themes . Love it !
Another composer that has been taken from us far too soon ..."Simplicity is the key to brilliance" -
- CommentTimeMar 24th 2009
Listened last night-
Andrea Guerra - Un Giorno Perfetto
Score for the Ferzan Ozpetek film of 2008. Not as good as Parlami D'Amore but it has its fine moments. -
- CommentTimeMar 24th 2009
The Ballad Of Cable Hogue - Jerry Goldsmith
The rather insepid introductory ballad "Tomorrow Is The Song I Sing" unfortunately sets the tone for the rest of the score. I know it's an offbeat western comedy-drama (I rather liked the film!), but this score tries and push that button too hard, and ultimately is just slightly annoying.
Switching to Bandolero! - Jerry Goldsmith
Now THIS is a western score. Great main theme. Some fantastic southern/Mexican influences in the best bernstein fashion (though still completely Goldsmith). A joy!'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentAuthorTimmer
- CommentTimeMar 24th 2009 edited
Bandolero = Ballad of Cable Hogue =
In other words....I agree with you.
NP : FLASH GORDON - Howard Blake
Good score, a great companion piece to the Queen soundtrack.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 24th 2009
Thomas Glorieux wrote
NP: Race to Witch Mountain
Not what I was expecting, this is standard Rabin and that's a dissapointment coming from a man who grew so good the last couple of years.
It's unbearable. If i want a new RC score, i'll take OUTLANDER loud anyday, when i'm in the mood, no matter the horrible unoriginality of the latter. At least it's very listenable!Love Maintitles. It's full of Wanders. -
- CommentAuthorMatt C
- CommentTimeMar 25th 2009
NP: Lesbian Vampire Killers (Debbie Wiseman)
Oh yes. Wiseman has made a comeback for sure -- just as good as Arsene Lupin in my opinion. "Centuries Ago..." just grabs you and doesn't let go until that revolting song at the end. Hayley Westenra's vocals work extremely well in this score too.http://unsungfilmscores.blogspot.com/ -- My film/TV/game score review blog -
- CommentTimeMar 25th 2009
NP:The Edge (Goldsmith)
dammed! Why I had to disocover Badelt's Time Machine Before this one??? NOw I only can see travels in time (Yes, for my addition to lost too).
Anyway...this is what you can a " main theme" .Pure Goldsmith magic!
The rest of the score, contains some music not heard from Goldsmith since First Blood. -
- CommentTimeMar 25th 2009
Saving Private Ryan (John Williams)
When I'm this down this music is like a masterpiece, enhancing my feeling of sadness through the elegant melodies and lonely trumpet solos. During the last ten years this score, in my mind, has evolved slowly from disappointing and boring to emotional and uplifting. Though I always loved the hymn (who doesn't?) and that violin motif in Revisiting Normandy, the rest didn't always appeal to me. But in my current state of mind the music just clicks. It's Williams at his most restrained, and that can be a very good thing. The brilliant movie wouldn't have worked with thunderous action music and heroic themes."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentAuthorTimmer
- CommentTimeMar 25th 2009
DreamTheater wrote
Saving Private Ryan (John Williams)
When I'm this down this music is like a masterpiece, enhancing my feeling of sadness through the elegant melodies and lonely trumpet solos. During the last ten years this score, in my mind, has evolved slowly from disappointing and boring to emotional and uplifting. Though I always loved the hymn (who doesn't?) and that violin motif in Revisiting Normandy, the rest didn't always appeal to me. But in my current state of mind the music just clicks. It's Williams at his most restrained, and that can be a very good thing. The brilliant movie wouldn't have worked with thunderous action music and heroic themes.
Great score
Feeling down? Hope it's nothing too serious Gilles?On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeMar 25th 2009 edited
Thanks Timmer. Major problems at work... I'm just too sensitive for this harsh world... When people just want to terrorize others or myself I tend to feel extremely down, like it's my burden to bear. But there's always music to transport you in another world, so you can forget those people for a while. So right now I say thank you, Mr. Williams."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeMar 25th 2009
NP: An Unfinished Life - Christopher Young
A beautiful little score which is miles better than Deborah Lurie's average replacement effort. A lovely soothing listen and one of Young's best in recent years.